The Social Reckoning is not only not as good as The Social Network, it's also not good enough to hate

Though Aaron Sorkin's The Social Reckoning positions itself as endlessly relevant, it's so vapid and made with such disinterest that it resists serious hatred. The follow-up to 2010's Facebook-takedown The Social Network is an insulting bore with very little insight or opinion to disagree with, let alone productively hate.